Ramin has lived in Gda\u0144sk for nine years and spent the first three working in a kitchen without telling anyone that he played. He says music was a profession in Iran, and in Poland it was for a long time not even a topic of conversation.<\/p>\n\n
He builds instruments from mulberry wood that he imports once a year. A single tar takes around eight months.<\/p>\n\n
His open rehearsals at Mozaika are exactly what they look like: a few people sit in a circle and play. Some bring a violin, some a guitar, some come only to listen. Ramin maintains that Persian scales and Polish folk music have more in common than either side suspects, and he usually proves it within a quarter of an hour.<\/p>","protected":false},"excerpt":{"rendered":"
Ramin mieszka w Gda\u0144sku od dziewi\u0119ciu lat i przez pierwsze trzy pracowa\u0142 w kuchni, nie m\u00f3wi\u0105c nikomu, \u017ce gra. M\u00f3wi, \u017ce w Iranie muzyka by\u0142a zawodem, a w Polsce przez d\u0142ugi czas nie by\u0142a nawet tematem rozmowy. Buduje instrumenty z drewna morwowego, kt\u00f3re sprowadza raz w roku. Jeden tar powstaje oko\u0142o o\u015bmiu miesi\u0119cy. Jego otwarte […]<\/p>\n","protected":false},"featured_media":0,"template":"","mc_obszar":[],"mc_kategoria_tworczosci":[34],"class_list":["post-170","mc_tworca","type-mc_tworca","status-publish","hentry"],"acf":[],"yoast_head":"\n